Archive for March, 2009

Stylemakers

Tuesday, March 3rd, 2009

We’re watching the tweens, like Sasha Obama; the teens, like Selena Gomez; and the Y Generation, insert name here! for fashion and style inspiration. Who are the teen glamour queens, and what are they wearing? Who are the musicians you’re listening to, and what are THEY wearing? What are the sources you use to find out? GOOGLE! YAHOO! CONCERTS! TV SHOWS, just to name a few. Add Image

The Mood In The House Of Fashion

Tuesday, March 3rd, 2009


Putting your finger on the pulse of fashion is easy when you have good sources. How do you gauge the mood of fashion today? Check out on-line magazines, newswire reports; celebrity blogs. Here, from the Associated Press – “Judging from the runway, tough times have energized the designers (on the Milan runways). The current preview showings for next winter, now at the midway point, are about real clothes for real women.” Although Prada had some strictly runway-fun with tall waders on the feet and gloves for hats during her most recent runway strut.

“After many seasons, where women seemed to be on a never ending vacation or out dancing every night, city clothes are back, epitomized by the pant suit. Very 1980’s, as when it made its debut on the Milan runway, but less androgynous……”

Haute (yes, HOT and HAUGHTY) Couture

Monday, March 2nd, 2009

Haute Couture, Its Meaning and Role in Fashion Today – Fashion History: “Haute Couture is a French phrase for high fashion. Couture means dressmaking, sewing, or needlework and haute means elegant or high, so the two combined imply excellent artistry with the fashioning of garments. The purchase of a haute couture model garment is at the top level of hand customised fashion design and clothing construction made by a couture design house.”

Roman Civilization ~ 900 BC-400 AD

Monday, March 2nd, 2009

How Fashion Defined Men and Women Through the Ages

Roman men and women, like other Indo-Europeans, originally seem to have worn a large piece of wool, wrapped around themselves. After they met people from Greece and Egypt, around 200 BC, they began to wear linen tunics under their wool robes, which was more comfortable. Clothing For fancy occasions Roman men wore their wool robes, called togas, over their tunics. There were a lot of rules about how exactly a man should wear his toga. The toga was allowed to be worn only by free Roman citizens. Foreigners, or even exiled citizens, could not appear in public wearing a toga, and only the wealthy could wear a stripe on their togas.
The ancient Roman woman wore varieties of accessories such as:
ornate necklaces
armlets
anklets
breast chains brooches
and jeweled buttons
The list also includes ornamental hairpins, earrings, friendship rings, and even hairnets of solid gold! Jewelry, especially bronze and gold, was popular among upper-class Roman women. Accessories were highly decorated and expensive.
My studies of Roman fashion looked identical to Greek dress in it’s draperies and design. But, you realize there are many important, yet subtle, differences. Basic garments are sewn, not pinned; elaborate fabric decorations nearly disappear; and bold patterns on garments are nonexistent. Sandals, boots and shoes are common on virtually all men and many women.

Minoan Civilization ~ roughly 1750 BC

Monday, March 2nd, 2009

How Fashion Defines Men and Women Through the Ages

Early in the culture the loincloth was used by both sexes. And that’s practically all men wore, ever. Unlike the Egyptians, the shanti varied according to its cut and normally was arranged as a short skirt or apron, ending in a point sticking out similar to a tail. The fabric passed between the legs, adjusted with a belt, and almost certainly, was decorated with metal. The women wore the garment more as an underskirt by lengthening it. They often are illustrated in statuettes with a large dagger fixed at the belt to provide them with personal safety. Dresses also were long and low-necked, so low that the bodice was open almost all the way to the waist. (And they wonder why they needed to carry a dagger!)

Ancient Egyptians ~ 3,500-500 BC

Monday, March 2nd, 2009


How Fashion Defines Men and Women Through the Ages
The ancient Egyptians loved ornamentation, and all forms of jewelry, including necklaces, rings, anklets and bracelets. Jewelry was valued not only for its beauty and precious metals, but also for the magical and spiritual protection it was thought to give the wearer. Even the poor wore jewelry, but unlike the richer nobles or royalty, their pieces tended to be mainly decorative and non-precious usually just simple good-luck symbols or protective amulets.
For Men, the dress consisted of short linen kilts with a band of cloth worn over the shoulders. The richer, wealthier Egyptians dressed in lighter, finer cloth while the ordinary Egyptians wore coarse linen.
Dressmaking and textile manufacturing were mainly the females’ jobs. Many of the weaving workshops were within the wealthy, aristocratic houses of nobility. Thus, the perfectly form-fitted dresses for the woman of the house.
Women dressed in long tunics, and the wealthy women appreciated the imports from Syria of wide, diaphanous cloaks made of fine linen. The very poor, or servants, went about their work naked or clad in the simplest of loin cloths.

Greek Civilization ~ 5,000-3,000 BC

Monday, March 2nd, 2009

How Fashion Defines Men and Women Through the Ages

For the common people, agricultural work was the overwhelming reality of their lives. Greek Life Even the rich, who did not labor in the fields themselves, tended to oversee directly the farming of at least some of their property. This mainly outdoor life: farming, hunting, horseback riding would determine the main form of men’s fashion.
For Women, clothes were normally made at home from locally available wool or flax (used to make linen). The two most commonly worn garments were the chiton (tunic) and the himation (cloak). Cut into a simple rectangle measuring half again the height of the person wearing it, it was folded over, wrapped around the body, and pinned at the shoulders and side. It was sleeveless, with large arm openings. The way to tell a woman of means were the versions she wore that were decorated with elaborate woven figures or designs. They were also made of linen that fell into more elaborate vertical folds than its heavier wool counterpart.